The Layman's Answers to Everything

The meaning of life according to some guy who likes TV and stuff.

Once upon a time, you believed that you were very special. That you’d grow up to make a difference in the world, be paid handsomely for doing so, find true love, have some equally special children, and live happily ever after. Unfortunately, life hasn’t worked out quite as good as the fairytale. So, were we all lied to? In Lost’s “Happily Ever After” Desmond discovers that there is a reality where all his dreams can come true. So where is this reality and do we need to be as special as Desmond to get there?

Whereas “Lighthouse” was all about our enlightenment, “Sundown” explored our dark side—temptation. “I can see her lying back in her satin dress in a room where you do what you don’t confess,” sang Gordon Lightfoot in his 1974 hit “Sundown.” The song is all about succumbing to temptation, hence once again revealing the double entendre that the Lost writers are so fond of using in their episode titles. When the sun goes down, man gets tempted by the dark. Why a “satin” dress? Sounds like Satan, don’t it?

You’ve probably noticed that in every flash-sideways so far on Lost this season, the central character of the episode has been shown looking into a mirror. Kate looks at herself in the auto body restroom after discovering that Claire was pregnant, Locke in his own bathroom just before attempting to call Jack, and Jack looks at himself both in the airplane while noticing the strange mark on his neck, and again in “The Lighthouse” when noticing an appendix scar that he doesn’t seem to remember. The easy metaphor of course, is that we are looking at secondary versions of these characters through the looking glass. But what’s the deeper meaning for us?

Nobody deserves to suffer. But perhaps we could all use some challenging times to help us grow so we might reach the next level. Maybe the universe is just breaking us down so we can be mended, nudging us towards a more united world. Perhaps this is all preparing us for whatever is to come in 2012 or beyond—the challenges that we may not be ready for now, but after several more beatings will be tough enough to handle. Let’s face it; we’ve become soft, spoiled, greedy, selfish, and lazy. We are just like the pompous Roman rulers before the fall of their empire or the snooty noble class before the French Revolution. In effect, we have become the bad guys.

A bizarre airplane crash, mysterious whispers, a foreboding set of numbers, a strange group of outsiders who seem to know what’s going on, and a shiny black stone which hints at clues to a resolution. While these themes could apply to Lost, all of them are also featured in Knowing—the recent sci-fi movie with Nicholas Cage that comes out on DVD on Tuesday, July 7th.

When I first saw The Matrix back in 1999, I instantly became fascinated with its “virtual reality world” concept. At the time, and for many years afterwards, I saw the theme as a metaphor for the illusionary material world we live in—a world of time, space, and the assumption that we are all separate individuals. My belief, in line with what I had taken from kabbalah, was that in reality, we were all one united energy force. Call it God, the light, Buddha, Allah, the universe, sentient energy, whatever. The point was that this energy created our illusionary world in order to experience itself. After all, since it was an all-knowing, all-powerful energy, existence was pretty boring. This energy wanted to experience the one thing it couldn’t know: what it was like to not be it. So, it created an imaginary world of time and space and separated itself there into different material elements that eventually evolved into human beings.

Just as how the Others blindly follow Jacob, we Lost fans have invested five years of our lives blindly following a TV show that has become increasingly intricate. Will our commitment be worth it in the end? Those of us who have faith have stuck with it, but we’ve lost a lot of former believers along the way. What if the series finale is a disappointment and leaves many of the major questions unanswered? Will we question our blind faith in a show that we hoped would give us answers to its convoluted storyline, and beyond? Hopefully we won’t get to that point, but I have some thoughts just in case we do.

The concept of taking a leap of faith has been covered many times on Lost. Locke had told Jack that he was taking a leap of faith by pressing the button; Hurley took a leap of faith by risking his life with Charlie to get the DHARMA van started as it sped down a hill; and in the episode titled, “316,” the theme shows up throughout. In fact, the title itself should’ve been the first tip-off.

While most mythological stories explore at least one or two truths about the way our world works, Lost is unique in that it explores hundreds of them. It’s almost as if Lost is a spiritual guidebook to life. While I sometimes joke around about it, I’m beginning to truly believe that fans of the show will be better equipped to handle the strange new world we are going to inherit in the upcoming years. Whether consciously or subconsciously, it is almost as if Lost is training us to be able to mentally handle the future. The Good Book says that the meek shall inherit the earth. Perhaps it was referring to Lost geeks.

There seems to be a pattern that determines when Locke and the gang are jumping in time on Lost. Whether it’s Richard Alpert telling Locke what to do when he next sees him, or Faraday telling Desmond to find his mother in the future, or Locke telling Alpert to seek him out in a few years once he’s born. So far, the jumps occur whenever a character is talking to another character about events from a different time. Perhaps fate is preventing the characters from knowing something they shouldn’t be privy too or maybe it’s time’s way of course correcting, but I believe there is a deeper reason why the time jumps are happening at that exact moment. And it relates to wisdom we can use in our real lives.