Anyone who travels within spiritual circles has probably heard about “vibrations.” The context is usually that someone with a higher vibration is somehow more spiritual or that the goal of the individual is to raise his or her vibration. But what does this really mean? Is it all just spiritual mumbo jumbo or is there actually a science behind vibrations? As you probably figured out from the title of this article, I believe that there is absolutely a science to this spiritual concept. And I believe I can prove it.
If you’ve ever wondered why we are here, this article is for you. If you’ve never wondered, some part of you has been wondering without your knowledge or else you wouldn’t be reading this now. There’s been a lot written about what life is and what we’re doing here. Some of it is very technical and philosophical. Some of it is very metaphorical and poetic. And then there is the actual answer, which we may never know. However, one truth I’ve noticed about this world is that cycles exist within cycles within cycles. Electrons swirling around a neutron are similar to our planets swirling around the sun. The shape of a leaf is indicative of the shape of the tree it came from. History repeats itself. Myths evolve over time but their basic elements all remain the same. Putting these truths together I was able to trace back to the origins of the first story and, to my shock and awe, uncovered an answer to a question I’ve been wondering for a very long time: why did the universe evolve to become so seemingly complicated? The answer, ironically enough, is incredibly simple.
In a New York Press article from August, 2011, film producer and director Tommy Pallotta, said, “I am a fan of audience participation, but I also think audiences like to be told a story. There’s this thing video game designers call a ‘golden path’—there’s a definite way that the majority of people are going to experience the game, and the designers plot that. A lot of the interactivity in a video game is really just the illusion of interactivity. It’s about engaging the audience and giving at least the feeling of volition. But as the artist you have the sense that you are, in some way, controlling it, blending the craft of storytelling with the illusion of agency.” In other words, in a game you think you are controlling the action, but really it’s already been pre-programmed. Kind of like what we think of as destiny. In fact, maybe that’s exactly what destiny is: the path we are meant to take in order to have the most fulfilling experience.
As mentioned in last quarter’s column, there have been a lot of “life-as-illusion” themed movies coming out lately. While I suspect that the success of Avatar and Lost are partly responsible for this trend, I think people’s fascination with 2012, drastic world changes, and a surge in our search for meaning are also fueling the recent string of films about alternate realities and simulated worlds. When airplanes are crashing into buildings, cities are submerged underwater, the Middle East is revolting, and the world economy is collapsing, real life almost seems more fantastical than our dreams. Jon Stewart summed it up perfectly at the 2008 Academy Awards: “Normally, when you see a black man or a woman president, an asteroid is about to hit the Statue of Liberty.” Yes, we are now officially living in the future, and we all know what kind of stuff happens in the future—exactly the kind of stuff that’s happening right now. But at least, thanks to Hollywood, we’ve been warned. And Hollywood’s heads up may even go much deeper than prophesies of events to come. They may help explain the reality we all find ourselves in.
In anticipation of TRON: Legacy, I recently re-watched a bunch of simulation-world films including The Thirteenth Floor, eXistenZ, and the original TRON, which I hadn’t seen in over twenty-five years. While I remember being somewhat confused watching the futuristic Disney film as a kid, seeing it again with new eyes, I was amazed at how clearly it expressed the “life as illusion” theme I’ve been so fascinated by as an adult. In the original movie, Jeff Bridges is considered a “user.” While Bridges often plays users in his films, in this case, it refers to a computer user who manipulates the scenarios of a digital world that is very similar to our own. In the original film, users are considered mythical, messianic figures who can help free the programs from the game they find themselves in. This got me thinking.
On the evening of October 6th, 2009, I awoke from a deep sleep with the sensation that there was a bright light shining on me from behind my head. Not only could I see this light, I could feel it and I soon became very hot. It felt almost as though the light were cooking me, but I didn’t want to move—or maybe, I couldn’t move. Eventually, the light faded and I fell back to sleep. So, what was it? Was it all in my mind? Was I getting some kind of program download or vibration upgrade? Was it a celestial connection? An angel communication? An alien probe? I wasn’t sure, but my forehead was very red the next morning and soon began peeling as though I’d gotten a sunburn. But this was October, and I hadn’t been out in sun for any length of time. Completely baffled, I decided to seek the help of my trusty mentor and longest childhood friend…television.
In “Across the Sea,” Lost finally gives us the origins story for Jacob and the Man In Black. The episode was pure, 100% mythology. Those who watched the episode based on the surface story alone were probably disappointed. Let’s face it, taken literally, myths are silly: talking snakes, little boys defeating giants, jealous gods, immaculate conceptions, mortals with superpowers, a sword stuck in a stone, the Force, Never Never Land, Wonderland, Oz, the Matrix, the Island. On the surface, all myths seem like children’s stories. It’s only when we dig deeper that we find the truth worthy of a wise old soul—a soul that knows where it really came from.
Once upon a time, you believed that you were very special. That you’d grow up to make a difference in the world, be paid handsomely for doing so, find true love, have some equally special children, and live happily ever after. Unfortunately, life hasn’t worked out quite as good as the fairytale. So, were we all lied to? In Lost’s “Happily Ever After” Desmond discovers that there is a reality where all his dreams can come true. So where is this reality and do we need to be as special as Desmond to get there?
For many of us, our lives don’t work out the way we planned. But that doesn’t mean that there isn’t a plan. It’s very apropos that Lost’s “Dr. Linus” episode was named for a teacher since it taught us some very valuable lessons about who we are and what our purpose here may be. In other words, it really was all about you.
You’ve probably noticed that in every flash-sideways so far on Lost this season, the central character of the episode has been shown looking into a mirror. Kate looks at herself in the auto body restroom after discovering that Claire was pregnant, Locke in his own bathroom just before attempting to call Jack, and Jack looks at himself both in the airplane while noticing the strange mark on his neck, and again in “The Lighthouse” when noticing an appendix scar that he doesn’t seem to remember. The easy metaphor of course, is that we are looking at secondary versions of these characters through the looking glass. But what’s the deeper meaning for us?
Anyone who travels within spiritual circles has probably heard about “vibrations.” The context is usually that someone with a higher vibration is somehow more spiritual or that the goal of the individual is to raise his or her vibration. But what does this really mean? Is it all just spiritual mumbo jumbo or is there actually a science behind vibrations? As you probably figured out from the title of this article, I believe that there is absolutely a science to this spiritual concept. And I believe I can prove it.
