In a New York Press article from August, 2011, film producer and director Tommy Pallotta, said, “I am a fan of audience participation, but I also think audiences like to be told a story. There’s this thing video game designers call a ‘golden path’—there’s a definite way that the majority of people are going to experience the game, and the designers plot that. A lot of the interactivity in a video game is really just the illusion of interactivity. It’s about engaging the audience and giving at least the feeling of volition. But as the artist you have the sense that you are, in some way, controlling it, blending the craft of storytelling with the illusion of agency.” In other words, in a game you think you are controlling the action, but really it’s already been pre-programmed. Kind of like what we think of as destiny. In fact, maybe that’s exactly what destiny is: the path we are meant to take in order to have the most fulfilling experience.
Lost is dead. Long live Lost. And so it ends, in much the same way it began—with a close-up of Jack’s eye, staring straight up past the tall stalks of bamboo that circled the sky above. This time however, that eye would close, and with it, our six-season journey that took us right back to where we started—with questions about a mysterious show that seemed to parallel the mysteries of life. For some, the journey was far more compelling than the destination. For others, it was the perfect resolution and they can walk away feeling fulfilled. Whatever you thought about the conclusion, the one thing most viewers can agree on is that the show challenged us to think in ways we might not have otherwise. In short, Lost was a real trip. And what a long, strange trip it’s been.
In the penultimate episode of Lost, “What They Died For,” Jacob tells the surviving Losties why he chose them as candidates: “I chose you because you were all alone. You were all looking for something that you couldn’t find out there. I chose you because you needed this place as much as it needed you.” This explanation really resonated with me, on one hand because it provided a mythologically sound answer to the main question I’ve always had about Lost: why do all these characters have major issues? And having that answer provided the other reason I really liked the explanation: I immediately understood that while Jacob was addressing the remaining candidates, he was really speaking to us.
In “Across the Sea,” Lost finally gives us the origins story for Jacob and the Man In Black. The episode was pure, 100% mythology. Those who watched the episode based on the surface story alone were probably disappointed. Let’s face it, taken literally, myths are silly: talking snakes, little boys defeating giants, jealous gods, immaculate conceptions, mortals with superpowers, a sword stuck in a stone, the Force, Never Never Land, Wonderland, Oz, the Matrix, the Island. On the surface, all myths seem like children’s stories. It’s only when we dig deeper that we find the truth worthy of a wise old soul—a soul that knows where it really came from.
Once upon a time, you believed that you were very special. That you’d grow up to make a difference in the world, be paid handsomely for doing so, find true love, have some equally special children, and live happily ever after. Unfortunately, life hasn’t worked out quite as good as the fairytale. So, were we all lied to? In Lost’s “Happily Ever After” Desmond discovers that there is a reality where all his dreams can come true. So where is this reality and do we need to be as special as Desmond to get there?
Lost episode 6.4, “The Substitute,” has so many parallels with Willy Wonka and the Chocolate Factory , I am convinced that the movie can be used to reveal Lost’s endgame. While I’m sure those parallels also exist within the actual Charlie and the Chocolate Factory book, since I am more familiar with the 1971 Gene Wilder movie (having seen it dozens of times), I will make my comparisons there. Sure, this may turn out to be nothing more than stuff and nonsense, but in the words of Wonka, “a little nonsense now and then is relished by the wisest men.” So, let’s get to it because we have so much time and so little to do. Strike that…reverse it.
I just watched what is quite possibly the most brilliant and hysterically funny movie review I’ve ever seen. This masterpiece critique was created by Mike of Red Letter Media and consists of seven parts that can all be viewed on YouTube. I highly recommend everyone viewing at least the first two parts of his videos, but it will not be necessary to understand what I’m about to say. His analysis brought to the forefront something that I’ve pushed down deep into my psyche for over ten years and am only now ready to release: The Phantom Menace is not only the biggest disappointment in movie history, it is also very likely completely responsible for screwing up our world’s history. Yes, I’m completely serious. Before I begin proving my point, let me begin with some facts that will be a little easier to swallow.
Just as how the Others blindly follow Jacob, we Lost fans have invested five years of our lives blindly following a TV show that has become increasingly intricate. Will our commitment be worth it in the end? Those of us who have faith have stuck with it, but we’ve lost a lot of former believers along the way. What if the series finale is a disappointment and leaves many of the major questions unanswered? Will we question our blind faith in a show that we hoped would give us answers to its convoluted storyline, and beyond? Hopefully we won’t get to that point, but I have some thoughts just in case we do.
When I think about the TV shows and movies I used to watch as a kid, it was always very easy to tell who was good and who was bad. Superman—good. Lex Luthor—bad. Mike Brady—good. The dude who faked whiplash to win a case against Carol—bad. The Scooby gang—good. The masked villains who would’ve gotten away with their dastardly schemes had it not been for those blasted kids—bad. Looking back at it now, I honestly think this black and white view of the world tainted my perception of people and experiences. Teachers and kids were either good or bad. A hot lunch choice was either good or bad. My day was either good or bad. And because I grew up thinking this way, much of this mindset is still with me, for better or for worse.
Continuing in the same vein as Part 1, Parts 2&3 was mostly action/adventure and little mythology. And what little there was still seems to support my theory.
For starters, at the end of the last episode’s update, I wrote:
In “Something Nice Back Home” Hurley even suggests that none of them made it off the island, and they were, perhaps dead. Not dead, just stuck in limbo between worlds. I feel like the season will end with the five of them not being rescued as we think, but getting hurt, and this whole flash-forward has all been in their minds.
