The first time I was given advice about the importance of forgiveness was at the most unlikely of places: an advertising school I was attending in Atlanta. The school had brought in speaker Joey Reiman—a very successful advertising executive who ran his own agency. Almost immediately, I could tell this man had a lot of wisdom, but it was towards the end of his presentation when something he said really resonated with me.
Disney taught us that, “when you wish upon a star, your dreams come true.” Unfortunately, if your dream is to have both of your parents live to see you succeed, you’re sheer out of luck. In fact, of Disney’s forty full-length animated features from 1937 until 2000, I know of only one where the protagonist’s parents remain alive for the entire film.* Then there’s the fact that just about every super-powered hero is an orphan. If this isn’t bad enough, one or both of the hero’s adoptive parents often dies too! Superman lost his adoptive dad, Spider-Man lost his uncle, and Luke Skywalker lost both his aunt and uncle. With the Amazing Spider-Man movie set for release this summer, and that movie actually exploring the mysterious back-story about Peter Parker’s real parents, I thought it would be a good time to delve into the topic of why so many of our heroes—both super and animated—are orphans, and what the message means for all of us.
Lost is dead. Long live Lost. And so it ends, in much the same way it began—with a close-up of Jack’s eye, staring straight up past the tall stalks of bamboo that circled the sky above. This time however, that eye would close, and with it, our six-season journey that took us right back to where we started—with questions about a mysterious show that seemed to parallel the mysteries of life. For some, the journey was far more compelling than the destination. For others, it was the perfect resolution and they can walk away feeling fulfilled. Whatever you thought about the conclusion, the one thing most viewers can agree on is that the show challenged us to think in ways we might not have otherwise. In short, Lost was a real trip. And what a long, strange trip it’s been.
Wanna know why the Man In Black is really trapped on the island? It’s not because he’s malevolence, evil, or darkness, and it’s not because Jacob wouldn’t let him leave. It’s because he hasn’t overcome his issues. And what are his issues? Up to now, all we know is that he seems to be terribly frightened of adolescent boys. Hopefully, we’ll get a better answer next week, but as ridiculous as this might sound, I actually think there may be something to it.
In “Recon,” James Ford learns a life-changing lesson from a TV show just as we are learning from Lost. The metaphor is clear: there are messages in the media that are meant to help guide us on our journey. All you have to do is let yourself see through to their true meaning in order to uncover the wisdom.
For many of us, our lives don’t work out the way we planned. But that doesn’t mean that there isn’t a plan. It’s very apropos that Lost’s “Dr. Linus” episode was named for a teacher since it taught us some very valuable lessons about who we are and what our purpose here may be. In other words, it really was all about you.
You’ve probably noticed that in every flash-sideways so far on Lost this season, the central character of the episode has been shown looking into a mirror. Kate looks at herself in the auto body restroom after discovering that Claire was pregnant, Locke in his own bathroom just before attempting to call Jack, and Jack looks at himself both in the airplane while noticing the strange mark on his neck, and again in “The Lighthouse” when noticing an appendix scar that he doesn’t seem to remember. The easy metaphor of course, is that we are looking at secondary versions of these characters through the looking glass. But what’s the deeper meaning for us?
If you’ve read my writings about Lost, you probably know that I believe it’s more than just a show: Lost contains hidden messages about how the world really works. That’s right, I sincerely believe that a TV series is giving us clues that can help us understand the mysteries of life. Well, if that were true, shouldn’t Lost include this little tidbit within its own mythology? Shouldn’t it demonstrate how the media can provide answers to our own life challenges so that we’ll know to look there to find them? Yes, I believe it should, and to be honest, I’ve been wondering if it was ever going to do so. In “Some Like It Hoth,” I finally received my answer.
The first thing that stuck me as interesting in this episode was Michael, a.k.a., Kevin Johnson, responding to Sayid’s question about what he was doing there by saying that he was there to die. After watching the full episode, we may assume that he was referring to his repeated attempts at suicide, but if “The Myth of Lost” simulation theory is correct, Michael may be talking about something else—his desire to die and get out of the simulation already.
