You’ve probably noticed that in every flash-sideways so far on Lost this season, the central character of the episode has been shown looking into a mirror. Kate looks at herself in the auto body restroom after discovering that Claire was pregnant, Locke in his own bathroom just before attempting to call Jack, and Jack looks at himself both in the airplane while noticing the strange mark on his neck, and again in “The Lighthouse” when noticing an appendix scar that he doesn’t seem to remember. The easy metaphor of course, is that we are looking at secondary versions of these characters through the looking glass. But what’s the deeper meaning for us?
Have you ever met someone for the first time who seemed really familiar to you? Strangely, this person likely wound up being an important player in your life. This exact scenario happens to Jack in LA X when he recognizes Desmond on the plane. In What Kate Does, Kate’s parallel life is once again setting up the scene for her to have a connection with Claire and baby Aaron. What if the reason for this familiarity is because we are recognizing these people from our future, or from the story of our destiny?
As soon as I learned of the title of Lost’s Season 6 premiere episode last year, I immediately began to wonder about its implications. Sure, the LA X was a reference to LAX, the abbreviation for Los Angeles International Airport where Oceanic Flight 815 was suppose to land, but why was there a space between the “LA” and the “X”? Like everything on Lost, surely this play on letters was for a reason.
When I first saw The Matrix back in 1999, I instantly became fascinated with its “virtual reality world” concept. At the time, and for many years afterwards, I saw the theme as a metaphor for the illusionary material world we live in—a world of time, space, and the assumption that we are all separate individuals. My belief, in line with what I had taken from kabbalah, was that in reality, we were all one united energy force. Call it God, the light, Buddha, Allah, the universe, sentient energy, whatever. The point was that this energy created our illusionary world in order to experience itself. After all, since it was an all-knowing, all-powerful energy, existence was pretty boring. This energy wanted to experience the one thing it couldn’t know: what it was like to not be it. So, it created an imaginary world of time and space and separated itself there into different material elements that eventually evolved into human beings.
Just as how the Others blindly follow Jacob, we Lost fans have invested five years of our lives blindly following a TV show that has become increasingly intricate. Will our commitment be worth it in the end? Those of us who have faith have stuck with it, but we’ve lost a lot of former believers along the way. What if the series finale is a disappointment and leaves many of the major questions unanswered? Will we question our blind faith in a show that we hoped would give us answers to its convoluted storyline, and beyond? Hopefully we won’t get to that point, but I have some thoughts just in case we do.
Have you ever wondered what would happen if you could go back to a particular moment of your life and do something differently? What if you hadn’t taken a job you’d accepted, married someone you’d broken up with, said “no” when you’d previously said yes…or vice-versa? What if we were all allowed one do-over? Would your life be completely different than it is now, or would events have conspired to put you in pretty much the same place? By continuing to explore the concept of the variable, “Follow the Leader” brings up these very same questions, and if you’ve been paying attention, it’s already given us the answers.
While most mythological stories explore at least one or two truths about the way our world works, Lost is unique in that it explores hundreds of them. It’s almost as if Lost is a spiritual guidebook to life. While I sometimes joke around about it, I’m beginning to truly believe that fans of the show will be better equipped to handle the strange new world we are going to inherit in the upcoming years. Whether consciously or subconsciously, it is almost as if Lost is training us to be able to mentally handle the future. The Good Book says that the meek shall inherit the earth. Perhaps it was referring to Lost geeks.
The first thing that stuck me as interesting in this episode was Michael, a.k.a., Kevin Johnson, responding to Sayid’s question about what he was doing there by saying that he was there to die. After watching the full episode, we may assume that he was referring to his repeated attempts at suicide, but if “The Myth of Lost” simulation theory is correct, Michael may be talking about something else—his desire to die and get out of the simulation already.
There’s a great scene in The Matrix that really reminds me of what’s going on in the world right now.
MORPHEUS
This is your last chance. After
this, there is no going back.
You take the blue pill and the
story ends. You wake in your bed
and you believe whatever you want
to believe.
The pills in his open hands are reflected in the glasses.
MORPHEUS
You take the red pill and you stay
in Wonderland and I show you how
deep the rabbit-hole goes.
Neo reaches for a pill but stops as MORPHEUS breaks the silence.
MORPHEUS
Remember, all I am offering you is
the truth. Nothing more.
Neo opens his mouth and swallows the red pill.
MORPHEUS
Follow me.
You’ve probably noticed that in every flash-sideways so far on Lost this season, the central character of the episode has been shown looking into a mirror. Kate looks at herself in the auto body restroom after discovering that Claire was pregnant, Locke in his own bathroom just before attempting to call Jack, and Jack looks at himself both in the airplane while noticing the strange mark on his neck, and again in “The Lighthouse” when noticing an appendix scar that he doesn’t seem to remember. The easy metaphor of course, is that we are looking at secondary versions of these characters through the looking glass. But what’s the deeper meaning for us?
