In the penultimate episode of Lost, “What They Died For,” Jacob tells the surviving Losties why he chose them as candidates: “I chose you because you were all alone. You were all looking for something that you couldn’t find out there. I chose you because you needed this place as much as it needed you.” This explanation really resonated with me, on one hand because it provided a mythologically sound answer to the main question I’ve always had about Lost: why do all these characters have major issues? And having that answer provided the other reason I really liked the explanation: I immediately understood that while Jacob was addressing the remaining candidates, he was really speaking to us.
In “Across the Sea,” Lost finally gives us the origins story for Jacob and the Man In Black. The episode was pure, 100% mythology. Those who watched the episode based on the surface story alone were probably disappointed. Let’s face it, taken literally, myths are silly: talking snakes, little boys defeating giants, jealous gods, immaculate conceptions, mortals with superpowers, a sword stuck in a stone, the Force, Never Never Land, Wonderland, Oz, the Matrix, the Island. On the surface, all myths seem like children’s stories. It’s only when we dig deeper that we find the truth worthy of a wise old soul—a soul that knows where it really came from.
Once upon a time, you believed that you were very special. That you’d grow up to make a difference in the world, be paid handsomely for doing so, find true love, have some equally special children, and live happily ever after. Unfortunately, life hasn’t worked out quite as good as the fairytale. So, were we all lied to? In Lost’s “Happily Ever After” Desmond discovers that there is a reality where all his dreams can come true. So where is this reality and do we need to be as special as Desmond to get there?
Whereas “Lighthouse” was all about our enlightenment, “Sundown” explored our dark side—temptation. “I can see her lying back in her satin dress in a room where you do what you don’t confess,” sang Gordon Lightfoot in his 1974 hit “Sundown.” The song is all about succumbing to temptation, hence once again revealing the double entendre that the Lost writers are so fond of using in their episode titles. When the sun goes down, man gets tempted by the dark. Why a “satin” dress? Sounds like Satan, don’t it?
Lost episode 6.4, “The Substitute,” has so many parallels with Willy Wonka and the Chocolate Factory , I am convinced that the movie can be used to reveal Lost’s endgame. While I’m sure those parallels also exist within the actual Charlie and the Chocolate Factory book, since I am more familiar with the 1971 Gene Wilder movie (having seen it dozens of times), I will make my comparisons there. Sure, this may turn out to be nothing more than stuff and nonsense, but in the words of Wonka, “a little nonsense now and then is relished by the wisest men.” So, let’s get to it because we have so much time and so little to do. Strike that…reverse it.
I just watched what is quite possibly the most brilliant and hysterically funny movie review I’ve ever seen. This masterpiece critique was created by Mike of Red Letter Media and consists of seven parts that can all be viewed on YouTube. I highly recommend everyone viewing at least the first two parts of his videos, but it will not be necessary to understand what I’m about to say. His analysis brought to the forefront something that I’ve pushed down deep into my psyche for over ten years and am only now ready to release: The Phantom Menace is not only the biggest disappointment in movie history, it is also very likely completely responsible for screwing up our world’s history. Yes, I’m completely serious. Before I begin proving my point, let me begin with some facts that will be a little easier to swallow.
When I first saw The Matrix back in 1999, I instantly became fascinated with its “virtual reality world” concept. At the time, and for many years afterwards, I saw the theme as a metaphor for the illusionary material world we live in—a world of time, space, and the assumption that we are all separate individuals. My belief, in line with what I had taken from kabbalah, was that in reality, we were all one united energy force. Call it God, the light, Buddha, Allah, the universe, sentient energy, whatever. The point was that this energy created our illusionary world in order to experience itself. After all, since it was an all-knowing, all-powerful energy, existence was pretty boring. This energy wanted to experience the one thing it couldn’t know: what it was like to not be it. So, it created an imaginary world of time and space and separated itself there into different material elements that eventually evolved into human beings.
There seems to be a pattern that determines when Locke and the gang are jumping in time on Lost. Whether it’s Richard Alpert telling Locke what to do when he next sees him, or Faraday telling Desmond to find his mother in the future, or Locke telling Alpert to seek him out in a few years once he’s born. So far, the jumps occur whenever a character is talking to another character about events from a different time. Perhaps fate is preventing the characters from knowing something they shouldn’t be privy too or maybe it’s time’s way of course correcting, but I believe there is a deeper reason why the time jumps are happening at that exact moment. And it relates to wisdom we can use in our real lives.
What if you were the only real person in this world and everyone and everything else was just some kind of simulation created to help give you the experience of your life? There has been at least one Twilight Zone based upon this premise, and the movie, The Truman Show, also explored a similar concept. I wrote about this quite a bit in Layman* and contrasted it to The Matrix myth where everyone is sharing the simulation together. In Layman, the protagonist decides that the world isn’t real, but he can’t decide if it’s all just his dream, or the dream of the entire world. I won’t give away the conclusion he comes to, but I will say that I get the feeling that we’re all sharing a collective dream with bits and pieces that are unique to each of our lives.
There’s a great scene in The Matrix that really reminds me of what’s going on in the world right now.
MORPHEUS
This is your last chance. After
this, there is no going back.
You take the blue pill and the
story ends. You wake in your bed
and you believe whatever you want
to believe.
The pills in his open hands are reflected in the glasses.
MORPHEUS
You take the red pill and you stay
in Wonderland and I show you how
deep the rabbit-hole goes.
Neo reaches for a pill but stops as MORPHEUS breaks the silence.
MORPHEUS
Remember, all I am offering you is
the truth. Nothing more.
Neo opens his mouth and swallows the red pill.
MORPHEUS
Follow me.
In the penultimate episode of Lost, “What They Died For,” Jacob tells the surviving Losties why he chose them as candidates: “I chose you because you were all alone. You were all looking for something that you couldn’t find out there. I chose you because you needed this place as much as it needed you.” This explanation really resonated with me, on one hand because it provided a mythologically sound answer to the main question I’ve always had about Lost: why do all these characters have major issues? And having that answer provided the other reason I really liked the explanation: I immediately understood that while Jacob was addressing the remaining candidates, he was really speaking to us.
