Have you seen them? They’re everywhere: in movies and TV shows, on ads and product packaging, in architecture, design, floor patterns, the Olympics, online, and even on the paper wrapped around hero sandwiches. They are honeycombs and hexagons, and they are taking over. Sure, design styles come and go, but why has this one seemed to have popped up so suddenly, become so incredibly prolific, and been so invisible to so many? Of course, now that you’re in the know, you’ll begin seeing them too (if you haven’t already). The question is why are they here, what do they mean, and why should you care?
Anyone who travels within spiritual circles has probably heard about “vibrations.” The context is usually that someone with a higher vibration is somehow more spiritual or that the goal of the individual is to raise his or her vibration. But what does this really mean? Is it all just spiritual mumbo jumbo or is there actually a science behind vibrations? As you probably figured out from the title of this article, I believe that there is absolutely a science to this spiritual concept. And I believe I can prove it.
If you’ve ever wondered why we are here, this article is for you. If you’ve never wondered, some part of you has been wondering without your knowledge or else you wouldn’t be reading this now. There’s been a lot written about what life is and what we’re doing here. Some of it is very technical and philosophical. Some of it is very metaphorical and poetic. And then there is the actual answer, which we may never know. However, one truth I’ve noticed about this world is that cycles exist within cycles within cycles. Electrons swirling around a neutron are similar to our planets swirling around the sun. The shape of a leaf is indicative of the shape of the tree it came from. History repeats itself. Myths evolve over time but their basic elements all remain the same. Putting these truths together I was able to trace back to the origins of the first story and, to my shock and awe, uncovered an answer to a question I’ve been wondering for a very long time: why did the universe evolve to become so seemingly complicated? The answer, ironically enough, is incredibly simple.
In a New York Press article from August, 2011, film producer and director Tommy Pallotta, said, “I am a fan of audience participation, but I also think audiences like to be told a story. There’s this thing video game designers call a ‘golden path’—there’s a definite way that the majority of people are going to experience the game, and the designers plot that. A lot of the interactivity in a video game is really just the illusion of interactivity. It’s about engaging the audience and giving at least the feeling of volition. But as the artist you have the sense that you are, in some way, controlling it, blending the craft of storytelling with the illusion of agency.” In other words, in a game you think you are controlling the action, but really it’s already been pre-programmed. Kind of like what we think of as destiny. In fact, maybe that’s exactly what destiny is: the path we are meant to take in order to have the most fulfilling experience.
By now you have no doubt heard that according to astronomers and anthropologists, December 21, 2012 correlates to the “end” of the Mayan calendar. And, despite having repeatedly heard about this for many, many years now, it is also very probable that you still have no idea exactly what this means. The reason is because it’s very complicated. To even begin to understand it you need to look to the Mayan myths of the Sacred Tree and understand their incredibly complex Long Count calendar of tuns, k’atuns, and b’aktuns as well as their concepts of the Great Cycle, the Great Great Cycle, and cycles within cycles. You’d also need to understand astronomical occurrences involving the precession of the equinoxes and the conjunction of the sun at the intersection of the plane of the ecliptic and the Milky Way. You can do all that, or, you can simply read my interpretation of this summer’s Green Lantern movie, which shares the same message as the Mayan mythology.
In anticipation of TRON: Legacy, I recently re-watched a bunch of simulation-world films including The Thirteenth Floor, eXistenZ, and the original TRON, which I hadn’t seen in over twenty-five years. While I remember being somewhat confused watching the futuristic Disney film as a kid, seeing it again with new eyes, I was amazed at how clearly it expressed the “life as illusion” theme I’ve been so fascinated by as an adult. In the original movie, Jeff Bridges is considered a “user.” While Bridges often plays users in his films, in this case, it refers to a computer user who manipulates the scenarios of a digital world that is very similar to our own. In the original film, users are considered mythical, messianic figures who can help free the programs from the game they find themselves in. This got me thinking.
Lost is dead. Long live Lost. And so it ends, in much the same way it began—with a close-up of Jack’s eye, staring straight up past the tall stalks of bamboo that circled the sky above. This time however, that eye would close, and with it, our six-season journey that took us right back to where we started—with questions about a mysterious show that seemed to parallel the mysteries of life. For some, the journey was far more compelling than the destination. For others, it was the perfect resolution and they can walk away feeling fulfilled. Whatever you thought about the conclusion, the one thing most viewers can agree on is that the show challenged us to think in ways we might not have otherwise. In short, Lost was a real trip. And what a long, strange trip it’s been.
In “Across the Sea,” Lost finally gives us the origins story for Jacob and the Man In Black. The episode was pure, 100% mythology. Those who watched the episode based on the surface story alone were probably disappointed. Let’s face it, taken literally, myths are silly: talking snakes, little boys defeating giants, jealous gods, immaculate conceptions, mortals with superpowers, a sword stuck in a stone, the Force, Never Never Land, Wonderland, Oz, the Matrix, the Island. On the surface, all myths seem like children’s stories. It’s only when we dig deeper that we find the truth worthy of a wise old soul—a soul that knows where it really came from.
In Lost’s “The Last Recruit,” the Man In Black refers to John Locke as a “sucker” for believing in fate. As he points out, Locke pursued this belief until it got him killed so perhaps MIB has a point. Despite his compelling argument, Jack takes a leap of faith towards the exact same conclusion as his former nemesis. So does this make Jack—the last recruit himself—a sucker too? My short answer is yes, but, what if this isn’t necessarily a bad thing?
In “The Package” Jin is distraught over having his $25,000 confiscated at the airport, Sun is panicked that her lavish bank account was emptied by her father, Widmore is angry that events aren’t going according to plan, and Desmond didn’t seem particularly happy about being drugged, stuffed in a sub, and brought back to the island. But if there’s anything that life and Lost teach us, it’s that our plans aren’t always in our own best interest. They say that man plans and God laughs. The question is, is God laughing with us, or at us?
Have you seen them? They’re everywhere: in movies and TV shows, on ads and product packaging, in architecture, design, floor patterns, the Olympics, online, and even on the paper wrapped around hero sandwiches. They are honeycombs and hexagons, and they are taking over. Sure, design styles come and go, but why has this one seemed to have popped up so suddenly, become so incredibly prolific, and been so invisible to so many? Of course, now that you’re in the know, you’ll begin seeing them too (if you haven’t already). The question is why are they here, what do they mean, and why should you care?
