When I first saw The Matrix back in 1999, I instantly became fascinated with its “virtual reality world” concept. At the time, and for many years afterwards, I saw the theme as a metaphor for the illusionary material world we live in—a world of time, space, and the assumption that we are all separate individuals. My belief, in line with what I had taken from kabbalah, was that in reality, we were all one united energy force. Call it God, the light, Buddha, Allah, the universe, sentient energy, whatever. The point was that this energy created our illusionary world in order to experience itself. After all, since it was an all-knowing, all-powerful energy, existence was pretty boring. This energy wanted to experience the one thing it couldn’t know: what it was like to not be it. So, it created an imaginary world of time and space and separated itself there into different material elements that eventually evolved into human beings.
Just as how the Others blindly follow Jacob, we Lost fans have invested five years of our lives blindly following a TV show that has become increasingly intricate. Will our commitment be worth it in the end? Those of us who have faith have stuck with it, but we’ve lost a lot of former believers along the way. What if the series finale is a disappointment and leaves many of the major questions unanswered? Will we question our blind faith in a show that we hoped would give us answers to its convoluted storyline, and beyond? Hopefully we won’t get to that point, but I have some thoughts just in case we do.
Have you ever wondered what would happen if you could go back to a particular moment of your life and do something differently? What if you hadn’t taken a job you’d accepted, married someone you’d broken up with, said “no” when you’d previously said yes…or vice-versa? What if we were all allowed one do-over? Would your life be completely different than it is now, or would events have conspired to put you in pretty much the same place? By continuing to explore the concept of the variable, “Follow the Leader” brings up these very same questions, and if you’ve been paying attention, it’s already given us the answers.
At the end of my last column, I asked whether the “variable” would prove to be an event that could change everything. The one thing that could have a domino effect on the outcomes of every event that followed. I wondered if this changeable event is what Ben and Widmore have been fighting for control of. After watching “The Variable,” I have to say “yes,” this is what the term is referring to. However, I’m still not so sure whether the variable will actually vary anything according to the mythology of the show.
If you’ve read my writings about Lost, you probably know that I believe it’s more than just a show: Lost contains hidden messages about how the world really works. That’s right, I sincerely believe that a TV series is giving us clues that can help us understand the mysteries of life. Well, if that were true, shouldn’t Lost include this little tidbit within its own mythology? Shouldn’t it demonstrate how the media can provide answers to our own life challenges so that we’ll know to look there to find them? Yes, I believe it should, and to be honest, I’ve been wondering if it was ever going to do so. In “Some Like It Hoth,” I finally received my answer.
Perhaps the most ironic theme of “Dead Is Dead” is that it actually seems to imply anything but. The episode is more about the futility of death, rather than its finality, yet, I don’t think this is its ultimate message. The message in its fullest form is that dead is only dead if your services will no longer be needed.
What is definitely no joke is what happens to the world in the Layman book during this timeframe. While I began writing the trilogy in 2002 and finished the first draft (of all three) in mid-2005, there is a lot in the story that is eerily prophetic of today’s situation: a collapse of the world economy, the emergence of the green revolution with a focus on reusable energy sources to replace oil, world floods, food epidemics and shortages and more. There are also a bunch of things in the books that are too fantastical to even speculate on. To be honest, when I originally wrote them, they were meant as more mythological metaphors, not really to be taken literally. Now, I’m not so sure. (Actually, around the time of Hurricane Katrina and the Indian Ocean Tsunami is when I became unsure.) Whatever happens though, whether it be tomorrow, in 2012, or if ever, I feel like the messages I received today are letting me know that it’s going to be all right. And I just thought I’d share that with all of you.
Something’s coming. Something big. I think whatever it is, if we…
Hello fellow fans of the mysterious universe!
So much has happened since my last Layman*/Lost** update, I don’t know where to begin. I guess that’s because for the first time since I began these updates back in January 2006, I now actually have a published book I can talk about! In typical Lost fashion however, let’s take a flashback first…
You can always be sure that the Locke-centric episodes will focus more on mythology than action and this episode didn’t disappoint. Between Locke’s creepy dream of Horace Goodspeed, his exploration of Jacob’s cabin, his conversation with Christian Shephard and an eerily entranced Claire, and the flashback scenes hinting at his strange childhood with appearances by an unchanged Richard Alpert, there were more than enough mysteries to keep fans occupied.
This is the first episode written after the writer’s strike, and to me, it felt like it. The story was rushed, the dialogue seemed out of place for the characters (i.e., Sawyer telling Ben that he’d kill him if he harmed on hair on Hurley’s head—since when does Sawyer care that much about anyone but himself?), and the action was kind of unbelievable at times (Sayid turning his head all the way around to notice Ben photographing him from atop a building behind him). In spite of this, or perhaps because of it, I also found this episode pretty funny.